8/2022 | “These landscapes demand a closer look”, by Cate McQuaid, The Boston Globe, 8/23/2022 |
7/2016 | “PAAM Announces 2016 Recipients of Lillian Orlowsky and William Freed Foundation Grant”, Provincetown Art Association and Museum website |
10/2015 | “10 local artist named Brother Thomas Fellows” by Malcolm Gay, The Boston Globe, 10/22/2015 |
7/2015 | “Masako Kamiya: New Paintings” by Shawn Hill, Art New England, Vol. 36, Issue 4, July-August/2015 |
2/2015 | “Connecting the Dots” by Michelle Marino, Boston Home Magazine, Spring 2015 |
10/2013 | “Synthesis enthralls” by Keith Powers, Cape Ann Currents 10/4/2013 |
10/2012 | “Surprises in common” by Cate McQuaid, The Boston Globe 10/16/2012 |
7/2011 | “Paintings, drawings, and the in between” by Cate McQuaid, The Boston Globe, 7/13/ 2011 |
4/2011 | “Studio Views: Masako Kamiya”, Massachusetts Cultural Council website, 4/21/2011 |
4/2010 | “Variations on space, depth, shadow” Danforth exhibits serve as primer on abstraction by Cate McQuaid, The Boston Globe, 4/18/ 2010 |
4/2010 | “Abstract emotions on view in Danforth exhibit (with video)” by Chris Bergeron The Metro West Daily News, 4/1/ 2010 |
1/2009 | “Line Dance” by Cate McQuaid, The Boston Globe, 1/28/ 2009 |
1/2009 | “Out of line @Newton’s New Art Center” by Chris Bergeron, The Metro West Daily News, 1/25/ 2009 |
9/2007 | “Minimal Austerity Hides Raw Passion” by Shawn Hill, BerkshireFineArts.com |
9/2007 | “Dot Matrix” by Cate McQuaid, The Boston Globe, 9/20/2007 |
3/2006 | “Making A Scene” by Steve Jermanok, The Boston Globe Magazine, 3/19/2006 |
7/2005 | “Summer flings Newbury Street delivers” by Christopher Millis |
7/2005 | “Ambitious and engaging show makes art of community” by Cate McQuaid, The Boston Globe, 7/8/2005 |
4/2005 | “Mass Culture: Masako Kamiya New Paintings” by Charles Giuliano, Big Red Shiny: An Online Journal for Boston, 4/22/2005 |
4/2005 | “Dotting the eye” by Cate McQuaid, The Boston Globe, 4/8/2005 |
3/2005 | New American Paintings Vol. 56 3 paintings, bio and artist statement published in the catalogue |
7/2004 | “His Focus on the human condition is anything but abstract” by Cate McQuaid, The Boston Globe, 7/9/2004 |
7/2004 | “Refreshing Paintings” by Scott Ruescher, ArtsEditor, 7/1/2004 |
6/2004 | “Masako Kamiya: On Paper” by Shawn Hill, arts MEDIA, summer 2004 |
6/2004 | “Yankee Ambition” by Steve Jermanok, Art & Antiques, Vol. XXVII No. 6 |
8/2003 | “The Best of Boston”, Boston Magazine |
7/2003 | “Connecting the Dots” by Cate McQuaid, The Boston Globe |
6/2003 | “Masako Kamiya: Paintings” by Shawn Hill, Art New England, Vol. 24, Issue 41, June-July/2003 |
3/2003 | “Three solid shows under one South End roof—Process oriented” by Cate McQuaid,The Boston Globe, 3/14/2003 |
3/2003 | New American Paintings, Vol. 44 3 paintings, bio and artist statement published in the catalogue |
2/2003 | “Final Print: Local Abstraction” by Brigid Watson, South End News, 2/20/2003 |
2/2003 | “Powerful Quietude” by Michael Cochran, arts MEDIA, Vol. 7, No. 31 |
2/2003 | “Dotted with color” by Cate McQuaid, The Boston Globe, 2/14/2003 |
2/2003 | “Dot, Dot, Dot”, Maverick Arts Boston’s Visual Artsletter by Charles Giuliano, Issue No. 91, 2/7/2003 |
11/2002 | “Masako Kamiya at Kingston and HallSpace” by Ann Wilson Lloyd, Art in America, 11/2002 |
6/2002 | “Masako Kamiya at HallSpace” by Shawn Hill, Arts MEDIA, Summer 2002 |
6/2002 | “Remembrances of exhibits past” by Shawn Hill, Baywindows Arts Plus, Vol. 20, No. 28 |
1/2002 | “Back to the drawing board”, The Boston Globe, 1/18/2002 |
1/2002 | “What’s in a name?” by Christopher Millis, Arts The Boston Phoenix, 1/11/2002 |
1/2002 | “Drawing Attention” by Joanne Silver, Boston Herald, 1/4/2002 |
12/2001 | “Bill Arning Creates Annual Drawing Show”, Maverick Arts Boston’s Visual Artsletter by Charles Giuliano, Issue No. 45, 12/16/2001 |
10/2000 | “Wave and Heritage/ Light and Leverage” by Charles Long, Beacon Hill/ Back Bay Chronicle, 10/24/ 2000 |